2ŁØT have returned with “I Hurt Myself Again,” a slow-burning new single that leans into emotional ambiguity and restraint. The track centres on the idea that memory and experience rarely remain fixed over time. Instead of presenting a clear emotional conclusion, the band allow conflicting feelings to exist side by side throughout the song’s runtime. Musically, “I Hurt Myself Again” is built around a repetitive two-chord structure that gives the arrangement a hypnotic quality

Photo Credit: Sophia Medina The shadow of Stevie Ray Vaughan hangs heavily over Break My Chains, and Alex Kilroy knows it. The difference is that the album doesn’t spend its runtime pretending otherwise. Kilroy openly embraces the music that first reshaped his understanding of freedom as a teenager in Transylvania, while slowly widening the frame around those early influences. That tension between reverence and individuality becomes the defining characteristic of the album.

Forget the debate. Evan Kanter is too busy making great records. The conversation around AI-generated music has spent the better part of three years generating considerably more heat than light. On one side, the purists arguing that machine-assisted production represents an existential threat to authentic creative expression. On the other, those insisting that every technological shift in music history has ultimately expanded rather than diminished what artists can do. Both c

THE DANCE FLOOR AS WITNESS STAND: On Scrimshaw Porn, ‘Epilogue’, and the art of saying everything without saying a word There is a long and honourable tradition of popular music absorbing what polite society would rather not discuss. From the blues carrying the weight of an entire people’s suffering in coded metaphor, to punk spitting barely disguised contempt at the establishment, to hip-hop mapping the geography of systemic failure in granular detail - music has always been

Rising UK funk and soul outfit Molly Gone Mad are back to inject some serious groove into the season with their vibrant new single, “Got To Go.” Built on tight musicianship and an instinct for feel over flash, the track is a lighthearted, deeply human snapshot of everyday urgency wrapped up in irresistible, old-school funk energy. “Got To Go” perfectly encapsulates the band's playful yet grounded ethos. Originally conceived by the band's guitarist, who penned the core lyrics

Colorado-based modern rock outfit Dirty Snowman Society returns with their latest single, “Slow Water,” a brooding and atmospheric track that blends heavy guitar-driven intensity with cinematic storytelling. Known for pushing beyond the boundaries of traditional rock, the band once again deliver a release defined by tension, depth, and emotional weight. Rooted in a gripping true story, “Slow Water” explores dark subject matter through a carefully constructed sonic landscape.

Emerging indie group Young Allies have released their new single “Fingers Entwined,” offering another glimpse into the band’s upcoming debut EP. Led by Fritz Michel, the New York-based project has evolved from a solo songwriting outlet into a larger ensemble featuring Tosh Sheridan, Gavin Price, Isaac Gardner, Phil Kadet and Shelly Bhushan. That collective approach shapes the sound of “Fingers Entwined,” which focuses on subtle arrangement and steady emotional pacing. The tra

Alternative rock group Angry Joe and the Holy Socks have returned with “I’ll Run Away,” a new single that highlights the band’s more reflective and melodic side. The Houston-based outfit combine layered guitars and subtle cinematic textures throughout the track, creating a spacious arrangement built around themes of memory, emotional weight and personal change. Influences from classic alternative and melodic rock are present, but the band maintain a distinct identity through

Sev Karlsson’s Reverie doesn’t really arrive with fireworks; it drifts in quietly and stays longer than you expect. It’s the kind of debut that rewards slowing down, leaning in, and letting the atmosphere do most of the talking. Built between Los Angeles haze and Vancouver introspection, the EP sits somewhere between memory and motion, balancing fragile emotion with carefully sculpted production. If you’re wondering whether to press play, here are five reasons it’s worth your

Liverpool’s Jensyn has been quietly one of the more interesting voices in UK alt-pop over the past couple of years, building a catalogue that draws on folk, dream-pop, and indie rock without ever feeling beholden to any of them. Latest single ‘Somebody Else’ is the clearest statement of intent yet. Released 5th May 2026, the track is a slow-burning, atmospheric piece that captures the emotional complexity of watching a former partner move on. The arrangement is stripped back

UKofA’s Time Will Take This All Away From Us isn’t just an album; it’s an experience built from years of experimentation, reinvention, and restless curiosity. It pulls together fragments of sound, memory, and genre into something that feels cohesive yet constantly shifting. If you’re wondering whether to dive in, here are five reasons this release is worth your time. 1. A true genre-free listening experience This album doesn’t sit comfortably in one lane. It moves between exp

Rzekomo’s The Gray Zone of Talk is the kind of album that quietly sneaks into your head and stays there for days. The third entry in the ambitious 10 times 10 gives 100 series blends microhouse rhythms, ambient electronics, jazz-inflected guitar, and philosophical ideas into something surprisingly emotional and immersive. It’s experimental without becoming inaccessible, thoughtful without losing warmth, and full of tiny sonic details that reveal themselves with every listen.

With The Rideout, The Chelsea Curve prove that great rock and roll never goes out of style, it simply evolves. Blending the melodic urgency of classic mod-pop with the raw energy of punk and power pop, the Boston trio have crafted a record that feels both timeless and thrillingly immediate. Packed with infectious hooks, dynamic performances, and the kind of lived-in authenticity that can’t be manufactured, The Rideout is more than just another revivalist release, it’s the sou

The original Ledbetter Heights sounded like a young musician kicking down doors. The 30th Anniversary Sessions sounds like someone revisiting those same rooms years later and noticing details he missed the first time. That shift in perspective defines much of Kenny Wayne Shepherd’s new re-recording. The songs themselves remain largely intact, but the emotional emphasis changes throughout the album. Shepherd no longer attacks every track with the urgency of a teenager trying t

Alex Kilroy has teamed up with Vince Gill for his latest release, “Let The Good Times Roll,” the newest preview of his debut album Break My Chains. The single arrives ahead of the album’s May 15 release and showcases a more grounded, reflective side of Kilroy’s songwriting. While his background and move from Eastern Europe to Nashville have drawn attention, the new track keeps its focus on musical chemistry and honest performance. Driven by expressive guitar work and an easyg

There is something deeply comforting about artists who continue to chase songs with the same hunger they had decades earlier. On Forest Mountain Forest, Simon Bromide & The Bromides sound like musicians still completely enthralled by the strange magic of melody, memory and human connection. The result is an album that feels loose, thoughtful and steeped in guitar-pop tradition but never trapped by it. Built around a more fully realised band dynamic than previous releases, For

Not every love song sticks. Some fade into the background after one listen, while others manage to hold onto a feeling that people instantly recognise. Frankie 5Ø3’s latest single “R0LL3RC0AST3R” definitely falls into the latter. Taken from his project UN P0C0 EM0, the track blends heartfelt songwriting with warm production and a genuinely personal atmosphere. Here are five reasons it deserves a spot on your playlist. 1. The emotion feels genuine “R0LL3RC0AST3R” works because

Dr Wippit on Confidence, Colorado, and Coming Back Swinging There is a particular satisfaction in watching an artist find their footing after years in the background, and Dr Wippit’s new single ‘Yup’ has the unmistakable quality of someone who has done exactly that. Relaxed, groove-heavy, and built with a directness that a lot of more calculated music simply does not have, it is the kind of track that makes an immediate impression without trying very hard to do so. FOLLOW: IN

I KNOW ME feels very personal. What was going through your mind when the idea first came to you? It was a deep realization about identity—how people often carry the pride of thinking they know who they are and their purpose, when in reality, they don’t. It’s about confronting that illusion. You’ve mentioned the song came from dreams. Do you usually create like that, or was this one different? I do receive ideas through dreams—I believe God speaks to me that way. For this song

Newcastle-born, Paris-based folk-indie songwriter Tom Hancock has released his deeply personal and sonically adventurous debut album, Innate Subjects. Recorded in Paris and produced alongside Saving Felix, the album marks a bold expansion of contemporary folk, blending heartfelt lyricism with ambient textures, electronic beats, and subtle synths to create a sound that is both intimate and exploratory. Rooted in the vibrant creative community of the Listen Marianne Collective,

Dining with Devils are back with “The One Below,” a new single that pushes further into the band’s groove-oriented blend of alternative rock and grunge-inspired heaviness. Built from an improvised rehearsal idea, the song gradually evolved into one of the trio’s most focused releases to date. Layered guitars and pounding percussion drive the arrangement, while the vocals cut through with a gritty and controlled intensity. Thematically, the track looks at personal identity and

If there is one defining characteristic of New Zealand’s Great Escape 2026 presence, it is refusal to be boxed in. The lineup spans everything from Pacific neo-psychedelia to alt-folk introspection, post-punk urgency, and experimental hip-hop futurism. Acts like WHO SHOT SCOTT embody this hybridity in its most radical form. Fusing punk energy, electronic distortion, and deeply personal storytelling, the project has already earned international recognition, including festival

Brighton’s Great Escape week is about to get a serious injection of noise, attitude and discovery as Planetary Group and Impressive PR unveil the return of Alternative Escape 2026. Taking place on Thursday 14th May at the Secret Comedy Club in Brighton Square, the official Alternative Escape event will once again transform the cult-favourite venue into one of the hottest destinations of the festival. Running across two packed sessions — 12pm to 4pm and 6pm to 10pm — the showc

As a music publicist, journalist, and poet from the West of Ireland, Danielle Holian has built a career rooted in storytelling, creativity, and emotional authenticity. Known for championing artists and shaping conversations within the music industry, she brings the same sensitivity and insight to her poetry. With three acclaimed collections already to her name, Holian returns with Growing Pains (2026), her most intimate and powerful work to date. Blending lyrical vulnerabilit